{"id":84313,"date":"2021-10-07T20:48:33","date_gmt":"2021-10-07T18:48:33","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?p=84313"},"modified":"2021-10-30T15:36:39","modified_gmt":"2021-10-30T13:36:39","slug":"5-visionar-film-festival-berlin-encounters-with-new-talents","status":"publish","type":"post","link":"https:\/\/www.visionaerfilmfestival.com\/news\/5-visionar-film-festival-berlin-encounters-with-new-talents\/","title":{"rendered":"5. Vision\u00e4r Film Festival Berlin \u2013 Encounters With New Talents"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”181772″][vc_column width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″ separator=”under” separator_color=”yes” sub_lead=”yes”]A Journey From Latin America to Latvia Through the Gaze of New Daring Directors[\/vc_custom_heading][vc_single_image media=”84500″ media_width_percent=”100″ alignment=”center” uncode_shortcode_id=”230391″][vc_column_text uncode_shortcode_id=”198665″]After traveling to Madrid, Salento (Italy) and Mainz, the 5th<\/sup> edition of Vision\u00e4r Film Festival Berlin is back in its hometown, Berlin, to bring a fresh and daring selection of international and local new talents!<\/strong><\/p>\n

From the 10th\u00a0to the 14th\u00a0of November at ACUDkino<\/strong>,\u00a0Vision\u00e4r Film Festival<\/strong>\u00a0\u2013 Encounters with New Talents<\/strong>\u00a0hosts a juicy edition with a wide program.<\/p>\n

Vision\u00e4r offers an\u00a0international selection of<\/strong>\u00a09 first or second feature films<\/strong>\u00a0in competition\u00a0<\/strong>for the Audience and Jury Awards (all Berlin or German premieres) and the\u00a0Short Berlin Encounters<\/strong>, a\u00a0selection of 16 Short Films\u00a0made by Berlin filmmakers<\/strong>\u00a0and video artists<\/strong> for the Audience Award.\u00a0Albania (in co-production with Kosovo, Italy, Macedonia), Argentina, Chile, India (in co-production with Romania, Italy, Qatar), Iran, Serbia (in co-production with Slovenia, The Netherlands, France, Bosnia and Herzegovina), South Korea and Spain\u00a0<\/strong>are the countries of this year\u2019s edition.<\/p>\n

Political and personal \u2013 if a clear division can really be marked, social, sensual and eventually artistic is the revolutionary vision of our new international talents. Films entertain us with their storytelling, but they are also a territory to reflect, investigate and rethink their language \u2013 both aesthetically and formally \u2013 and its healing potential. In the last year we learned a lot about the idea of going hybrid: hybrid events to face the global challenge, to resist and survive it, to the forced change of our times. Going hybrid as a sign of (a necessary) creativity is what we observe more and more often in the practice of filmmaking: The boundaries between documentary and fiction are now less defined; arthouse and genre films don\u2019t necessarily exclude each other. As Vision\u00e4r\u2019s mission is to discover and support new auteurs\u2019 gazes, the selected films will also reflect a bold and formally unconventional way of developing a discourse.<\/p>\n

The section\u00a0Short Berlin Encounters<\/strong>\u00a0will be presented in three blocks under a common topic: Space, Time, Persona\u00a0<\/strong><\/p>\n

Two programs of international short films under the name of\u00a0Panorama: Rebels <\/strong>complete this upcoming edition. This is a curated section which changes every year and intends to draw attention on specific topics, regions, and concepts. This year we show 10 short films presented and awarded at major festivals whose characters, stories and, ultimately the work itself in its entirety, raise their voices against the system: the patriarchy and its derivatives like abuse, sexism, binary gender classification, dysfunctional families. Panorama: Rebels <\/span><\/i>offers stories from: Belgium, <\/span>Cuba (in co-production with Puerto Rico), Egypt (in co-production with France, Qatar, Belgium), <\/span>France, <\/span>Greece, Norway, Spain, Thailand, <\/span>UK, USA<\/span>.<\/span><\/p>\n

This year Vision\u00e4r pays homage to\u00a0Pedro Almod<\/strong>\u00f3var<\/strong> by showing his debut film Pepi, Luci, Bom and Other Average Girls (Pepi, Luci, Bom y otras chicas del mont\u00f3n):<\/em> Framed in the context of “La Movida Madrile\u00f1a”, this very provocative and low budget film combines scenes of sadomasochism, lesbian romances and alternative culture. Awards aside (He has won two Oscars, five Baftas, two Emmys, six European Film Awards, two Golden Globes, nine Goyas and four prizes at Cannes), Pedro Almod\u00f3var has proven to be one of the most important directors, screenwriters, producers and intellectuals of postmodernity. He has become a global icon for his unique cinematic language, creating a pastiche of different genres where melodrama, American comedy, French noir, thriller, neo-realism and even horror intermingle.<\/p>\n

As a multidisciplinary event, Vision\u00e4r hosts a film concert under the name of KINO SONICO: this is a female project\u00a0<\/strong>where a\u00a0<\/strong>well-known female electronic musician develops a new score for a silent film made by a woman pioneering in cinema. Akkamiau<\/strong> develops and plays live a new soundtrack for the film La Tierra de los Toros<\/em> (The Land of the Bulls, 1924) by Musidora<\/strong>. Musidora is best known for her roles as a silent film actress, particularly for her portrayal of the mythical figure in black tights Irma Vep in Louis Feuillade’s soap opera Les Vampires. Musidora was also active as a director and producer. Many of her films are considered lost, but three important works have survived: For Don Carlos – Sun and Shadow – Land of the Bulls. The latter was restored by the CNC – Centre national du cin\u00e9ma et de l’image anim\u00e9e.<\/p>\n

Vision\u00e4r believes and respects\u00a0gender equality and gender inclusivity<\/strong>\u00a0in its selection. In an industry that doesn\u2019t always make it so easy for women and non-binary people, in a world in which it\u2019s still necessary to impose the \u201cpro film quote\u201d in order to assure their presence, Vision\u00e4r is very proud to contribute support to them.\u00a0We\u2019ll have 8 female directors and 3 male directors in the Feature Films\u00a0Competition<\/strong>,\u00a0 6 male filmmakers, 11 female and 2 non binary filmmakers <\/strong>in the Berlin Short Encounters<\/strong>, 6 female filmmakers and 5 male filmmakers in<\/strong> the non-competitive section Panorama: Rebels<\/strong>.<\/p>\n

On duty call to judge our nine feature films and assign the\u00a0Jury Award are<\/strong>:\u00a0 Neslig\u00fcl Satir<\/strong>\u00a0(Sales Manager at ArtHood Entertainment, Turkey),\u00a0Bartholomew Sammut<\/strong> (Festival Programmer at the Berlinale \u2013 Panorama, Australia) and\u00a0Dami\u00e1n Sainz<\/strong> (Film Director, Cuba).\u00a0Also, the audience is called to serve as a judge for both the full-length and short film selections.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”148029″ el_id=”film-announcement”][vc_column width=”1\/1″][vc_tabs][vc_tab gutter_size=”2″ column_padding=”2″ title=”Feature Films in Competition:” tab_id=”1633709746-1-51″][vc_column_text uncode_shortcode_id=”108196″]\u2013 180\u00b0 Rule<\/em>\u00a0by Farnoosh Samadi, Iran, 2020, 83\u2019 (German Premiere)
\n\u2013 We Will Never Die (Nosotros Nunca Moriremos)\u00a0<\/em>by Eduardo Crespo, Argentina, 2020, 82\u2019 (Berlin Premiere)
\n\u2013 Oasis<\/em>\u00a0by Ivan Iki\u0107, Serbia, Slovenia, The Netherlands, France, Bosnia and Herzegovina, 2020, 121\u2019\u00a0(Berlin Premiere)
\n\u2013 Open<\/em>\u00a0Door<\/em> by Florenc Papas, Albania, Kosovo, Italy, Macedonia, 2019, 77\u2019\u00a0(Berlin Premiere)
\n\u2013 My Mexican Bretzel<\/em>\u00a0by Nuria Gim\u00e9nez, Spain, 2019, 73\u2019 (Berlin Premiere)
\n\u2013 Moving on<\/em>\u00a0by YOON Dan-bi, South Korea, 2019, 105\u2019 (German Premiere)
\n\u2013 Night Shot (Visi\u00f3n Nocturna)<\/em>\u00a0by Carolina Moscoso, Chile, 2019, 80\u2019 (German Premiere)
\n\u2013 A Rifle and a Bag<\/em>\u00a0by Isabella Rinaldi, Cristina Hanes, Arya Rothe, India, Romania, Italy, Qatar, 2020, 89\u2019 (Berlin Premiere)
\n\u2013 The innocence (La innoc\u00e8ncia)<\/em>\u00a0by Luc\u00eda Alemany, Spain, 2019, 83\u2019 (Berlin Premiere)[\/vc_column_text][\/vc_tab][vc_tab gutter_size=”2″ column_padding=”2″ title=”Short Berlin Encounters:” tab_id=”1633709746-2-97″][vc_column_text uncode_shortcode_id=”168294″]<\/p>\n

SPACE<\/strong>, 83\u2032<\/h5>\n

\u2013 Am I on Mars?\u00a0<\/em>by Matteo Niccolai, Germany, 2021, 12\u2019
\n\u2013 La Passeggiata\u00a0<\/em>by Lisa Hoffmann, Moritz Hossli, Germany, 2021, 5\u201933\u2019\u2019
\n\u2013 Echo (Yank\u0131)\u00a0<\/em>by Hazal Kara, Sezin Ertek, Turkey, Germany, 2020, 19\u2019
\n\u2013 Good German Work\u00a0<\/em>by Jannis Alexander Kiefer, Germany, 2020, 14\u2019
\n\u2013 Land of Glory (Pann\u00f3nia Dics\u00e9rete)\u00a0<\/em>by Borb\u00e1la Nagy, Germany, 2020, 27\u2019
\n\u2013 Stray\u00a0<\/em>by Jonas Brinker, Germany, 2020, 5\u201930\u2019\u2019<\/p>\n

TIME<\/strong>, 100\u2032<\/h5>\n

\u2013 Eva<\/em> by Julia Diep My Feige, Germany, 2020, 5\u2019
\n\u2013 Black&White (\u010cernob\u00edl\u00e1)<\/em>\u00a0by Eluned Zoe Aiano and Anna Benner, Czech Republic, Germany, 2019, 19\u2019
\n\u2013 An Ocean (Ein Ozean)<\/em>\u00a0by Paul Scheufler, Germany, 2021, 19\u2019
\n\u2013 Assembling a Story<\/em>\u00a0by Marlies Pahlenberg, Germany, UK, 2019, 27\u2019
\n\u2013 I Want To Return Return Return<\/em>\u00a0by Elsa Rosengren, Germany, 2020, 30\u2019<\/p>\n

PERSONA,<\/strong>\u00a089\u2032<\/h5>\n

\u2013 AIVA<\/em>\u00a0by Veneta Androva, Germany, Bulgaria, 2020, 13\u2019
\n\u2013 Grand Central Hotel<\/em>\u00a0by Serge Garcia, USA, Germany, 2020, 23\u2019
\n\u2013 When The Androgynous Child (Cuando el ni\u00f1o andr\u00f3gino)<\/em>\u00a0by Melina Pafundi, Germany, Argentina, 2019, 9\u2019
\n\u2013 Letter to My Mother<\/em>\u00a0by Amina Maher, Malaysia, Germany, Iran, 2019, 19\u2019
\n\u2013 Should we all be feminists?<\/em>\u00a0by Silke Meya, Germany, UK, 2021, 24\u201930\u2019\u2019[\/vc_column_text][\/vc_tab][vc_tab gutter_size=”2″ column_padding=”2″ title=”Special Programs:” tab_id=”1633710153071-2-3″][vc_column_text uncode_shortcode_id=”139579″]<\/p>\n

KINO SONICO (Opening Night Part 1) ca. 60<\/strong>\u2019<\/strong><\/h5>\n

\u2013 La Tierra de los Toros (The Land of the Bulls)<\/em>\u00a0by Musidora, Spain, 1924, 53\u2019. Live music by Akkamiau<\/p>\n

PANORAMA: REBELS #1 (Opening Night Part 2)\u00a0<\/strong>ca. 85\u2032<\/strong><\/h5>\n

\u2013 Stories Keep Me Awake<\/em>\u00a0at Night (Nuits Sans Sommeil)\u00a0<\/em>by J\u00e9r\u00e9my van der Haegen, Belgium, 2020, 30\u2018
\n\u2013 Sh\u00e9\u00e1r Avory: To Be Continued\u00a0<\/em>by Abram Cerda, USA, 2020, 26\u2018
\n\u2013 Rise\u00a0<\/em>by Hannah Renton, UK, 2020, 9\u2018
\n\u2013 Dustin\u00a0<\/em>by Na\u00efla Guiguet, France, 2020, 20\u2018<\/p>\n

PANORAMA: REBELS #2 ca. 86<\/strong>\u2032<\/strong><\/h5>\n

\u2013\u00a0La Bonita<\/em>\u00a0by Maria del Mar Rosario, Cuba, Puerto Rico, 2018, 18\u2019
\n\u2013\u00a0Lemongrass Girl<\/em>\u00a0by Pom Bunsermvicha, Thailand, 2021, 17\u2019
\n\u2013 I am afraid to forget your face<\/em>\u00a0by Sameh Alaa, Egypt, France, Qatar, Belgium, 2020, 15\u2019
\n\u2013 The Young Diego (El Joven Diego)<\/em>\u00a0by Osama Chami, Enrique Gimeno Pedr\u00f3s, Spain, 2021, 7\u2019
\n\u2013 The Tongues (Njuokcamat)<\/em>\u00a0by Marja B\u00e5l Nango and Ingir B\u00e5l, Norway, 2019, 15\u2018
\n\u2013 The End of Suffering (a proposal)<\/em>\u00a0by Jacqueline Lentzou, Greece, 2020, 14\u2019<\/p>\n

HOMAGE:<\/strong><\/h5>\n

\u2013\u00a0Pepi, Luci, Bom and Other Average Girls (Pepi, Luci, Bom y otras chicas del mont\u00f3n)<\/em>\u00a0by Pedro Almod\u00f3var,\u00a0<\/em>Spain, 1980, 81\u2018[\/vc_column_text][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”181772″][vc_column width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″ separator=”under” separator_color=”yes” sub_lead=”yes”]A Journey From […]<\/p>\n","protected":false},"author":1,"featured_media":84500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[93],"tags":[],"yoast_head":"\n5. Vision\u00e4r Film Festival Berlin \u2013 Encounters With New Talents — Vision\u00e4r Film Festival<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5. 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