{"id":73637,"date":"2020-09-11T11:33:17","date_gmt":"2020-09-11T09:33:17","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?p=73637"},"modified":"2020-09-17T13:42:59","modified_gmt":"2020-09-17T11:42:59","slug":"4-visionar-film-festival-berlin-encounters-with-new-talents-save-the-new-date","status":"publish","type":"post","link":"https:\/\/www.visionaerfilmfestival.com\/news\/4-visionar-film-festival-berlin-encounters-with-new-talents-save-the-new-date\/","title":{"rendered":"4. Vision\u00e4r Film Festival Berlin \u2013 Encounters With New Talents: Save The (New) Date!"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading auto_text=&#8221;yes&#8221; heading_semantic=&#8221;h3&#8243; separator=&#8221;under&#8221; separator_color=&#8221;yes&#8221; sub_lead=&#8221;yes&#8221;]A Journey From Latin America to Latvia Through the Gaze of New Daring Directors[\/vc_custom_heading][vc_column_text]<span style=\"font-weight: 400;\">After the Covid-19 outbreak, we took the hard but necessary decision to postpone the 4<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> edition of Vision\u00e4r.\u00a0<\/span><span style=\"font-weight: 400;\">Now, accordingly to new measures, cinemas can reopen and we can finally announce the new dates!<\/span><\/p>\n<p><b>From the 21<\/b><b>st<\/b><b> to the 28<\/b><b>th<\/b><b> of September at ACUDkino<\/b><span style=\"font-weight: 400;\">, <\/span><b>Vision\u00e4r Film Festival<\/b><span style=\"font-weight: 400;\">\u00a0<\/span><b>\u2013 Encounters With New Talents<\/b><span style=\"font-weight: 400;\"> will host a special edition of the festival. In the respect of all the hygienic measures taken to protect all of you, the cinema will offer a limited amount of seats. For this reason, we will screen each film and block of short film twice, to guarantee each work a decent visibility.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And now an insight of what this edition will offer you!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The program offers an\u00a0<\/span><b>international selection of<\/b><span style=\"font-weight: 400;\">\u00a0<\/span><b>9 first or second feature films<\/b><span style=\"font-weight: 400;\">\u00a0<\/span><b>in competition\u00a0<\/b><span style=\"font-weight: 400;\">for the Audience and Jury Awards (all Berlin or German premieres) and the\u00a0<\/span><b>Short Berlin Encounters<\/b><span style=\"font-weight: 400;\">, a\u00a0<\/span><b>selection of 19 Short Films\u00a0made by Berlin filmmakers<\/b><span style=\"font-weight: 400;\"> for the Audience Award.\u00a0<\/span><b>Chile, Colombia (in co-production with Belgium), Brazil, Canada, USA (in co-production with France and China), Austria, Spain and Latvia\u00a0<\/b><span style=\"font-weight: 400;\">are the countries of this year\u2019s edition. This year Latin America, with the political gaze of their directors, has caught &#8211; and well deserves &#8211; our attention. The social turmoil following the state of repression needs voices of denunciation that will never be silenced. Now more than ever they need to be heard. Not only political but also social, intimate, sexual and artistic is the revolution undertaken by our new international talents. Sometimes it can even be funny!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Films tell stories but they are also a territory to reflect, investigate and rethink their language &#8211; both aesthetically and formally. The boundaries between documentary and fiction are now blurred. Arthouse and genre films don\u2019t necessarily exclude each other. As Vision\u00e4r\u2019s mission is to discover and support new visions and talents, the selected films will also reflect a daring and unusual way of developing a discourse.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The section\u00a0<\/span><b>Short Berlin Encounters<\/b><span style=\"font-weight: 400;\">\u00a0will be presented in four blocks under a common topic:<\/span><\/p>\n<ul>\n<li><b>Of Human and Beyond <\/b><span style=\"font-weight: 400;\">\u2013 An exploration of the relationship between human beings and what is beyond them.<br \/>\n<\/span><b><\/b><\/li>\n<li><b>\u00a1Viva La Revoluci\u00f3n! <\/b>\u2013 As we never stop fighting for our rights.<br \/>\n<b><\/b><\/li>\n<li><b>Heimat(en) <\/b>\u2013 There is no place like home.<\/li>\n<li><b>Death&amp;Desire\u00a0<\/b>\u2013\u00a0They can walk dangerously together, sometimes it can be fun, other times not.<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Vision\u00e4r believes and respects\u00a0<\/span><b>gender equality and gender inclusivity<\/b><span style=\"font-weight: 400;\"> in its selection. In an industry that doesn\u2019t always make it so easy for women*, in a world in which it\u2019s still necessary to impose the \u201cpro film quote\u201d in order to assure their presence, Vision\u00e4r is very proud to contribute support to women.\u00a0<\/span><span style=\"font-weight: 400;\">We\u2019ll have 6 men directors and 6 women directors in the feature films<\/span> <span style=\"font-weight: 400;\">competition,<\/span> <span style=\"font-weight: 400;\">and 8 male filmmakers and 13 female filmmakers in the Berlin Short Encounters.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A section of short films made by women* directors from Northern Europe under the name of\u00a0<\/span><b>Panorama Nordic | Female* Voices\u00a0<\/b><span style=\"font-weight: 400;\">will be the special focus of this upcoming edition. This is a curated section which changes every year and intends to draw attention on specific topics, regions and concepts. Countries in focus will be: <\/span><b>Finland, Iceland, Lithuania, Sweden<\/b><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p style=\"font-weight: 400;\">This year Vision\u00e4r will pay\u00a0<strong>homage<\/strong>\u00a0<strong>to Cheryl Dunye<\/strong>, a world-renowned African American director, writer, and actress who emerged as part of the \u201cQueer New Wave\u201d of young filmmakers in the early 1990s. Vision\u00e4r will present her first feature film,\u00a0<em>The Watermelon Woman<\/em>, that won the Teddy Award for Best Feature at the 1996 Berlin International Film Festival. Set in Philadelphia,\u00a0<em>The Watermelon Woman<\/em>\u00a0is the story of Cheryl (Cheryl Dunye), a twenty-something black lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s black film actress popularly known as &#8220;The Watermelon Woman.&#8221; \u00a0The Watermelon Woman is clearly a metaphor for Cheryl&#8217;s search for identity, community, and love.<\/p>\n<p><span style=\"font-weight: 400;\">As a multidisciplinary event, Vision\u00e4r will host a film concert under the name of\u00a0<\/span><b>Kino Sonico: this is a female project\u00a0<\/b><span style=\"font-weight: 400;\">where two<\/span><b>\u00a0<\/b><span style=\"font-weight: 400;\">well-known female electronic musicians develop new scores for silent films made by a woman pioneering in cinema.<\/span> <b>Alice Guy Blach\u00e9<\/b><span style=\"font-weight: 400;\">\u2019s<\/span><b>\u00a0<\/b><span style=\"font-weight: 400;\">short films of 1912,\u00a0<\/span><em>Falling Leaves<\/em><span style=\"font-weight: 400;\">\u00a0and\u00a0<\/span><em>Making an American Citizen,<\/em><span style=\"font-weight: 400;\"><em>\u00a0<\/em>will be shown together\u00a0<\/span><b>with a live performance of Marion W\u00f6rle aka Frau W and Lena Kocisova aka Akkamiau.\u00a0<\/b><span style=\"font-weight: 400;\">Guy-Blach\u00e9 was a producer, a writer, a casting director, a set designer and the first female film director \u2013 for some years the only female director &#8211; in cinema history. She began working for France\u2019s Gaumont pictures, then moved to the US and founded her own studio, Solax. She made more than 1.000 films. How such a pioneer faded into obscurity has much to do with her gender and with how film history has been written by men. In fact, while her male colleagues were glorified, Guy-Blach\u00e9\u2019s work was neglected, if not even attributed to the men.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On duty call to judge our nine feature films and assign the\u00a0<\/span><b>Jury Award<\/b><span style=\"font-weight: 400;\">\u00a0are three film directors:\u00a0<\/span><b>Lemohang Jeremiah Mosese<\/b><span style=\"font-weight: 400;\">\u00a0(Lesotho),\u00a0<\/span><b>Jules Herrmann<\/b><span style=\"font-weight: 400;\">\u00a0(Germany) and\u00a0<\/span><b>Pippo Mezzapesa<\/b><span style=\"font-weight: 400;\">\u00a0(Italy).\u00a0Also, the audience is called to serve as a judge for both the full-length and short film selections.<\/span><\/p>\n<h4><\/h4>\n<h4><b>Opening:<\/b><\/h4>\n<p><b>Kino Sonico<br \/>\n<\/b><em>&#8211; Falling Leaves<\/em><span style=\"font-weight: 400;\"> by Alice Guy Blach\u00e9, France, 1912, 12\u2019<br \/>\n<\/span><em>&#8211; Making an American Citizen<\/em><span style=\"font-weight: 400;\"> by Alice Guy Blach\u00e9, France, 1912, 16\u2019<\/span><\/p>\n<p><b>Panorama Nordic | Female* Voices\u00a0 ca. 85&#8242;<br \/>\n<\/b><em>&#8211; Match (Matchen)<\/em> <span style=\"font-weight: 400;\">by Pia Andell, Finland, 2018, 15\u2018<br \/>\n<\/span><em>&#8211; The Ambassador\u2019s Wife<\/em><span style=\"font-weight: 400;\"> by Theresa Traore Dahlberg, Sweden, 2018, 17\u2018<br \/>\n<\/span><em>&#8211; Tweener (Brottas)<\/em> <span style=\"font-weight: 400;\">by Julia Thelin, Sweden, 2018, 16\u2018<br \/>\n<\/span><em>&#8211; XY<\/em> <span style=\"font-weight: 400;\">by Anna Kar\u00edn L\u00e1rusd\u00f3ttir, Iceland, 2019, 16\u2018<br \/>\n<\/span><em>&#8211; I (\u00c9g)<\/em> <span style=\"font-weight: 400;\">by Hallfr\u00ed\u00f0ur Tryggvad\u00f3ttir, Vala \u00d3marsd\u00f3ttir, Iceland, 2018, 15\u2018<br \/>\n<\/span><em>&#8211; Quartz (Kvarcas)<\/em> <span style=\"font-weight: 400;\">by<\/span> <span style=\"font-weight: 400;\">Odeta Ri\u0161kut\u0117, Klaudija Matvejevait, Lithuania, 2019, 5\u201836\u2018\u2018<\/span><\/p>\n<h4><b>Feature Films in Competition:<\/b><\/h4>\n<p><em>&#8211; Pahokee<\/em> by Ivete Lucas, Patrick Bresnan<span style=\"font-weight: 400;\"> (USA \/ France, 2019, 112\u2019, Berlin Premiere)<br \/>\n<\/span><em>&#8211; L.A. Tea Time<\/em> by Sophie B\u00e9dard-Marcotte<span style=\"font-weight: 400;\"> (Canada, 2019, 84\u2019, German Premiere)<br \/>\n<\/span><em>&#8211; Obscure<\/em> by Kunlin Wang<span style=\"font-weight: 400;\"> (USA\/China, 2019, 91\u2018, German Premiere)<br \/>\n<\/span><em>&#8211; Lillian<\/em> by Andreas Horvath (Austria, 2019, 130\u2019, Berlin Premiere)<br \/>\n<em>&#8211; Enigma <\/em>by Ignacio Juricic Merill\u00e1n<span style=\"font-weight: 400;\"> (Chile, 2018, 80\u2019, Berlin Premiere)<br \/>\n<\/span><em>&#8211; Tantas Almas (Valley of Souls) <\/em>by Nicol\u00e1s Rinc\u00f3n Gille<span style=\"font-weight: 400;\"> (Colombia, Belgium, Brazil and France, 2019, 137\u2019, German Premiere)<br \/>\n<\/span><em>&#8211; Oleg<\/em> by Juris Kursieti<b>s<\/b><span style=\"font-weight: 400;\"> (Latvia, 2019, 84\u2019, German Premiere)<br \/>\n<\/span><em>&#8211; Indianara<\/em> by Aude Chevalier-Beaumel, Marcelo Barbosa<span style=\"font-weight: 400;\"> (Brazil, 2019, 84\u2019, Berlin Premiere)<br \/>\n<\/span><em>&#8211; Ojos Negros<\/em> by Marta Lallana, Ivet Castelo<span style=\"font-weight: 400;\"> (Spain, 2019, 67\u2019 \u2013 Berlin Premiere)<\/span><\/p>\n<h4><strong>Homage:<\/strong><\/h4>\n<p>&#8211; <em>The Watermelon Woman <\/em>by Cheryl Dunye<em>, <\/em>USA, 1996, 90\u2018<\/p>\n<h4><b>Short Berlin Encounters:\u00a0<\/b><\/h4>\n<p><b>Of Human and Beyond<\/b><span style=\"font-weight: 400;\">, 72&#8242;<br \/>\n<\/span><em>&#8211; The Divine Way (La Via Divina)<\/em><span style=\"font-weight: 400;\"> by Ilaria Di Carlo, Germany, 2018, 15\u2019<br \/>\n<\/span><em>&#8211; Ali<\/em> <span style=\"font-weight: 400;\">by Rain Kencana, Germany, Turkey, 2019, 13\u201930\u2019\u2019<br \/>\n<\/span><em>&#8211; What We Were (Ohne Euch)<\/em><span style=\"font-weight: 400;\"> by Hannah Martin &amp; Melanie Waelde, Germany 2018, 13\u201830\u2018\u2018<br \/>\n<\/span><em>&#8211; Seed<\/em> <span style=\"font-weight: 400;\">by Christobal Araneda, Germany, 2020, 10\u2018<br \/>\n<\/span><em>&#8211; Q: Ghostly Remote Effect (Q: Spukhafte Fernwirkung)<\/em> <span style=\"font-weight: 400;\">by Marcus Hanisch, Germany, 2020, 20\u2018<\/span><\/p>\n<p><b>\u00a1Viva La Revoluci\u00f3n!<\/b><span style=\"font-weight: 400;\">, 85&#8242;<br \/>\n<\/span><em>&#8211; Emperor (Kaiser)<\/em><span style=\"font-weight: 400;\"> by Jannis Alexander Kiefer, Germany, 2019, 30\u2018<br \/>\n<\/span><em>&#8211; Them<\/em><span style=\"font-weight: 400;\"> by Robin Lochmann, Germany, Ireland, 2019, 15\u2018<br \/>\n<\/span><em>&#8211; The Two of Us (Wir Zwei)<\/em> <span style=\"font-weight: 400;\">by Cosima Frei, Switzerland, 2018, 16\u2018<br \/>\n<\/span><em>&#8211; Revolvo<\/em><span style=\"font-weight: 400;\"> by Francy Fabritz, Germany, 2019, 8\u2019<br \/>\n<\/span><em>&#8211; Lolo<\/em><span style=\"font-weight: 400;\"> by Leandro Goddinho &amp; Pablo Menezes, Germany, Brazil, 2019, 13\u201940\u2019\u2019<\/span><\/p>\n<p><b>Heimat(en)<\/b><span style=\"font-weight: 400;\">, 56&#8242;<br \/>\n<\/span><em>&#8211; Everything alright (Minden rendben)<\/em><span style=\"font-weight: 400;\"> by Borb\u00e1la Nagy, Germany, 2018, 12\u2018<br \/>\n<\/span><em>&#8211; How Do You Say (Come si dice)<\/em><span style=\"font-weight: 400;\"> by Jasmin Prei\u00df, Germany, 2020, 15\u2019<br \/>\n<\/span><em>&#8211; Sheep<\/em><span style=\"font-weight: 400;\"> by Thomas Georgi, Malta, Germany, 2018, 11\u201840\u2018\u2018<br \/>\n<\/span><em>&#8211; Learn To Swim (Freischwimmer)<\/em><span style=\"font-weight: 400;\"> by Gaya von Schwarze, Germany, 2019, 17\u2018<\/span><\/p>\n<p><b>Death&amp;Desire<\/b><span style=\"font-weight: 400;\">, 56&#8242;<br \/>\n<\/span><em>&#8211; Sleeping Messenger (Der Schlafende Bote)<\/em><span style=\"font-weight: 400;\"> by Florinda Frisardi, Germany, 2019, 5\u2018<br \/>\n<\/span><em>&#8211; Inside Me<\/em><span style=\"font-weight: 400;\"> by Maria Trigo Teixeira, Germany, 2019, 5\u2019<br \/>\n<\/span><em>&#8211; Handarbeit<\/em><span style=\"font-weight: 400;\"> by Marie-Am\u00e9lie Steul, Germany, 2019, 13\u201830\u2018\u2018<br \/>\n<\/span><em>&#8211; Post Mortem berlin<\/em><span style=\"font-weight: 400;\"> by Anton von Heiseler, Germany, 2019, 27\u2018<br \/>\n<\/span><em>&#8211; Fuckboy<\/em><span style=\"font-weight: 400;\"> by Stella Macdonald, Germany, 2019, 6\u2018<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading auto_text=&#8221;yes&#8221; heading_semantic=&#8221;h3&#8243; separator=&#8221;under&#8221; separator_color=&#8221;yes&#8221; sub_lead=&#8221;yes&#8221;]A Journey From Latin America to Latvia Through the Gaze of New Daring Directors[\/vc_custom_heading][vc_column_text]After [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":73585,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[93],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>4. 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Vision\u00e4r Film Festival Berlin \u2013 Encounters With New Talents: Save The (New) Date! &mdash; Vision\u00e4r Film Festival\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading auto_text=&#8221;yes&#8221; heading_semantic=&#8221;h3&#8243; separator=&#8221;under&#8221; separator_color=&#8221;yes&#8221; sub_lead=&#8221;yes&#8221;]A Journey From Latin America to Latvia Through the Gaze of New Daring Directors[\/vc_custom_heading][vc_column_text]After [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.visionaerfilmfestival.com\/news\/4-visionar-film-festival-berlin-encounters-with-new-talents-save-the-new-date\/\" \/>\n<meta property=\"og:site_name\" content=\"Vision\u00e4r Film Festival\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-11T09:33:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-17T11:42:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.visionaerfilmfestival.com\/wp-content\/uploads\/2020\/06\/vff4-web-header-leer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"523\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"coty\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"coty\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.visionaerfilmfestival.com\/news\/4-visionar-film-festival-berlin-encounters-with-new-talents-save-the-new-date\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.visionaerfilmfestival.com\/news\/4-visionar-film-festival-berlin-encounters-with-new-talents-save-the-new-date\/\"},\"author\":{\"name\":\"coty\",\"@id\":\"https:\/\/www.visionaerfilmfestival.com\/#\/schema\/person\/16fe2bdcdc48971db9f33590e4b1f18d\"},\"headline\":\"4. 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