{"id":84069,"date":"2021-08-04T20:04:06","date_gmt":"2021-08-04T18:04:06","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?post_type=portfolio&p=84069"},"modified":"2021-08-31T13:50:00","modified_gmt":"2021-08-31T11:50:00","slug":"desire-a-short-film-selection","status":"publish","type":"portfolio","link":"https:\/\/www.visionaerfilmfestival.com\/visionaer-satellite\/desire-a-short-film-selection\/","title":{"rendered":"Desire – A Short Film Selection"},"content":{"rendered":"
[vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”h1″ separator=”under” separator_color=”yes” sub_reduced=”yes” subheading=”September 1, 2021 @Feldkino 20:00″ uncode_shortcode_id=”106573″][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_custom_heading text_size=”h3″ uncode_shortcode_id=”136269″]<\/p>\n
by Carla Linares | Spain | 2020, 14\u2019<\/strong>[\/vc_custom_heading][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”84124″ media_width_percent=”100″ uncode_shortcode_id=”440894″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”168935″]It\u2019s summer when Irene realizes for the first time that there is much more beyond the silent and absurd routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her body which ends up with her finding her own voice.<\/p>\n Biofilmography by Carmen Aumedes Mier | Spain | 2020, 15\u2019<\/strong>[\/vc_custom_heading][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”84120″ media_width_percent=”100″ uncode_shortcode_id=”266850″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”849709″]Marleni is a young Honduran woman living in Barcelona who works as a resident at Mr. Ram\u00f3n\u2019s home, an old man who suffers from dementia. Her life changes when she receives a message from an unknown number asking for a girl named Julia. She decides to masquerade and creates a fake identity that will push her to the limits. This is how she finds, in an anonymous life, a way to scape.<\/p>\n Biofilmography by Veneta Androva | Germany | 2019, 14\u2019<\/strong>[\/vc_custom_heading][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”84114″ media_width_percent=”100″ uncode_shortcode_id=”165372″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”571062″]Temperature: 21 \u00b0C. Humidity: 55 %. Optimum conditions for Martin to stay fresh and presentable. Rosy skin, bedroom eyes, a naughty little cap, that\u2019s how he meets the young art investor in the depot of an anonymous airport. His master, Lucas Cranach the Elder, created him almost five hundred years ago. Now he hangs opposite a paralysed suit rendered ecstatic by his presence. They are talking about the art market. And yet about so much more.<\/p>\n (Carolin Weidner; DOK Leipzig 2019)<\/p>\n Biofilmography by Ilaria Di Carlo | Germany | 2018, 15\u2019<\/strong>[\/vc_custom_heading][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image media=”73255″ media_width_percent=”100″ uncode_shortcode_id=”844893″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text uncode_shortcode_id=”142517″]Loosely based on Dante\u2019s Divine Comedy,\u00a0The Divine Way<\/em>\u00a0takes viewers along on the protagonist\u2019s epic descent through an endless labyrinth of staircases. As the woman journeys deeper, the staircases mutate and she is trapped and pulled into their dangerous landscape, conducting us through more than fifty magnificent locations.<\/p>\n Biofilmography [\/vc_custom_heading][vc_gallery el_id=”gallery-178823″ type=”justified” medias=”72034,72790,71849″ justify_row_height=”75″ gutter_size=”3″ media_items=”media|custom_link|original” single_back_color=”color-xsdn” single_overlay_opacity=”1″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″ single_border=”yes” items=”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″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" September 1, 2021 @Feldkino 20:00<\/p>\n","protected":false},"author":1,"featured_media":84129,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"portfolio_category":[279,280],"yoast_head":"\n
\n<\/strong>Studied psychology at University of Barcelona. As an actress, she starred in the films Las Amigas de l\u2019\u00c0gata<\/em>, J\u00falia Ist<\/em> and The Night She Moves<\/em>. She\u2019s part of the collective “Pussy Picnic” and VVAA, with whom she made Like si lloras<\/em> (Sala Beckett; Volksb\u00fchne Berlin and La Pedrera) where aside from acting she participated in the elaboration of the texts and assisted the director. Currently, she has finished shooting as an actress in the series Drama<\/em> and she\u2019s writing the script of a feature film.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_separator sep_color=”” uncode_shortcode_id=”612188″][vc_custom_heading text_size=”h3″ uncode_shortcode_id=”767824″]<\/p>\nMarleni, Not Marlen<\/h3>\n
\n<\/strong>Carmen was born in Barcelona in August 1996. She studied Cinematography Direction at ESCAC, always complemented by music and writing studies. She graduates with Marleni<\/em>, not Marlen<\/em>\u00a0short film and travels to Shanghai (China) in the same year to shoot a short documentary named I\u2019m too busy<\/em>.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_separator sep_color=”” uncode_shortcode_id=”612188″][vc_custom_heading text_size=”h3″ uncode_shortcode_id=”978415″]<\/p>\nFrom My Desert<\/h3>\n
\n<\/strong>Veneta Androva (born in Sofia) is a visual artist who obtained a degree in History of Art and Philosophy from Humboldt University Berlin and also graduated in Fine Arts from Wei\u00dfensee Academy of Art Berlin. In her work, she is combining diverse media and sources such as archival, documentary or computer-generated material and paintings, all related through animation in simulated environments. She took part in numerous shows in Germany and Bulgaria, as well as Austria, Argentina, Brazil, Poland, Czech Republic and in Israel, where she did part of her study at the Bezalel Academy of Arts and Design in 2016-2017.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_separator sep_color=”” uncode_shortcode_id=”612188″][vc_custom_heading text_size=”h3″ uncode_shortcode_id=”952707″]<\/p>\nThe Divine Way\u00a0<\/b>(La Via Divina)<\/h3>\n
\n<\/strong>Ilaria Di Carlo is a visual artist working in the fields of experimental film, video art and performance. She graduated from the Fine Arts Academy in Rome and from Central Saint Martin\u2019s in London. She subsequently studied Film at the SAE Institute of Berlin. She lives and works in Berlin.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes” inverted_device_order=”yes” auto_height_device=”yes” uncode_shortcode_id=”199596″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_font=”font-762333″ text_space=”fontspace-111509″ separator=”yes” separator_color=”yes” sub_lead=”yes” sub_reduced=”yes” text_align=”text-center”]<\/p>\nWith the friendly support of<\/h4>\n