{"id":83863,"date":"2021-05-13T16:50:49","date_gmt":"2021-05-13T14:50:49","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?post_type=portfolio&p=83863"},"modified":"2021-08-05T15:51:46","modified_gmt":"2021-08-05T13:51:46","slug":"visionar-goes-madrid","status":"publish","type":"portfolio","link":"https:\/\/www.visionaerfilmfestival.com\/visionaer-satellite\/visionar-goes-madrid\/","title":{"rendered":"Vision\u00e4r Goes Madrid"},"content":{"rendered":"
[vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”h1″ separator=”under” separator_color=”yes” sub_reduced=”yes” subheading=”June 3 and 29, 2021 @Sala Equis 19:00″][\/vc_custom_heading][vc_button button_color=”color-jevc” shadow=”yes” shadow_weight=”sm” border_width=”0″ css_animation=”bottom-t-top” animation_speed=”200″ link=”url:https%3A%2F%2Fkinetike.com%3A83%2Fviews%2FsesionesFuturas.aspx%3FidPelicula%3D2191%26cine%3DEQUIS|target:_blank” icon=”fa fa-external-link”]Tickets[\/vc_button][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_custom_heading text_size=”h3″]<\/p>\n
by \u00c8rika S\u00e1nchez Marcos | Spain | 2020, 22′<\/strong>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_gallery el_id=”gallery-124942″ type=”carousel” medias=”73797,73799,73801″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ carousel_interval=”0″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_nav=”yes” carousel_dots=”yes” carousel_dots_inside=”yes” carousel_dot_padding=”2″ stage_padding=”0″ single_overlay_opacity=”50″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″][\/vc_column][vc_column width=”1\/2″][vc_column_text]They are scarred, overweight, pregnant, shaved, or tattooed. In the locker room, Joana studies the physical conditions of other women and later of herself in the mirror. Can your own body be modulated? Your gender? Your femininity? \u201cBreak Free”\u00a0is written on her shirt – time for emancipation.<\/p>\n Biofilmography [\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_separator][vc_custom_heading text_size=”h3″]<\/p>\n By Monica Manganelli | Italy, Germany | 2019, 30′<\/strong>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_gallery el_id=”gallery-149833″ type=”carousel” medias=”73681,73683,73685″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”4″ carousel_interval=”0″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_nav=”yes” carousel_dots=”yes” carousel_dots_inside=”yes” carousel_dot_padding=”2″ stage_padding=”0″ single_overlay_color=”accent” single_overlay_opacity=”15″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″][\/vc_column][vc_column width=”1\/2″][vc_column_text]Alex moves to Berlin in 1932 during the Weimar Republic period. Looking for his place in the world and his sexual identity, he becomes the first out-of-surgery transsexual in History. That happens unfortunately during the National-Socialism rise, a social disruption that turned the capital of sexual freedom in the most repressed country of all times.<\/p>\n Biofilmography Born in Parma (ltaly) in 1977, studied Architecture at the Institute of Art (Bachelor in Architecture). In 2002 she graduated from the Parma University with an Academic Degree in Conservation of Cultural Heritage (History of Art and Architecture\u2019s Specialization). She followed an additional year specializing with a Postgraduate Academic Degree in \u201cTheater\u2019s Set Design\u201d and a Master in Cad Design e Computer Graphics in Reggio Emilia (2002-2003). In this period she began to work as Set Designer Collaborator and Concept-Visual Artist for many productions since 2001 to 2011 in the Lyric Opera House in Italy and Europe among: Rigoletto, Theatre Marijnski, St. Petersburg, L \u2018Impresario delle Smirne, Theatre Stabile Turin, Samson et Dalila, Theatre Comunale Bologna, Opera Royal de Wallonie, Fahrenheit 451, Director Luca Ronconi; Ercole sul Termodonte, Agrippina, Theatre La Fenice Venice. Monica collaborated with the Director Davide Livermore for the preparation of Scenic and visual\/Set design of following works : Billy Budd (Season 2004-05), Aci Galatea e Polifemo (Season 2008-09), ldomeneo (Season 2010-11), l Vespri Siciliani (Season 2011-12 ), productions by Theatre Regio Turin.<\/p>\n monicamanganelli.net<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_separator][vc_custom_heading text_size=”h3″]<\/p>\n By Na\u00efla Guiguet | France | 2020, 20′<\/strong>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_gallery el_id=”gallery-113733″ type=”carousel” medias=”83877,83871,83874″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original” carousel_interval=”0″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_nav=”yes” carousel_dots=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″][\/vc_column][vc_column width=”1\/2″][vc_column_text]In an abandoned warehouse, a crowd is dancing as one on 145 BPM techno music. Among them is Dustin, a young transgender and crew: Felix, Raya and Juan. As the night draws on, collective hysteria morphs into sweet melancholy, and euphoria\u00a0into yearning for tenderness.<\/p>\n Biofilmography Na\u00efla Guiguet graduated in 2019 from the Femis\u2019 Cinema School Scenario Department, where she made a student short film Rough Skin<\/em>. During her time at the Femis, she co-wrote with Arnaud Desplechin, Catherine Corsini and Thomas Salvador. Na\u00efla Guiguet is also a DJ and a founding member of the Collective Possession. This collective organises techno LGBTQI+ evenings. During one such evenings, she shoots Dustin<\/em>, her first short film as a professional.[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_font=”font-762333″ text_space=”fontspace-111509″ separator=”yes” separator_color=”yes” sub_lead=”yes” sub_reduced=”yes” text_align=”text-center”]<\/p>\n [\/vc_custom_heading][vc_gallery el_id=”gallery-178823″ type=”justified” medias=”72034″ justify_row_height=”75″ gutter_size=”3″ media_items=”media|custom_link|original” single_back_color=”color-xsdn” single_overlay_opacity=”1″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″ single_border=”yes” items=”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″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" June 3 and 29, 2021 @Sala Equis 19:00<\/p>\n","protected":false},"author":1,"featured_media":83902,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"portfolio_category":[279],"yoast_head":"\n
\n<\/strong>After a decade working as a personal assistant and script supervisor, in 2013 she wrote and directed the documentary short film,\u00a0The Show,<\/em> screened at international festivals and institutions.\u00a0It\u2019s Never Darker\u00a0<\/em>(2014) is her first documentary feature film, well received by audience and critics. Founder of Antivaho Cinematogr\u00e1fico with Xavier Esteban, she is currently working on the documentary feature film\u00a0Perif\u00e8ria<\/em>\u00a0(Outskirts) as a producer and screenwriter.\u00a0Panthers\u00a0is her first fiction\u2019s work, short film as a prelude to the feature film in development,\u00a0The Quiet Women<\/em>. With the support of the Master in Creative Documentary at Pompeu Fabra University, she is developing the documentary feature film\u00a0Dietari Final\u00a0<\/em>(Final Dietary) co-directed with Ariadna Pujol.<\/p>\nButterflies in Berlin<\/b><\/h3>\n
\n<\/strong><\/p>\nDustin<\/b><\/h3>\n
\n<\/strong><\/p>\nWith the friendly support of<\/h4>\n