{"id":73925,"date":"2020-09-15T13:07:15","date_gmt":"2020-09-15T11:07:15","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?post_type=portfolio&p=73925"},"modified":"2020-09-30T13:58:09","modified_gmt":"2020-09-30T11:58:09","slug":"the-watermelon-woman","status":"publish","type":"portfolio","link":"https:\/\/www.visionaerfilmfestival.com\/2020\/the-watermelon-woman\/","title":{"rendered":"The Watermelon Woman"},"content":{"rendered":"
[vc_row][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”h1″ separator=”under” separator_color=”yes” sub_reduced=”yes” subheading=”Hommage”][\/vc_custom_heading][vc_gallery el_id=”gallery-149833″ type=”carousel” medias=”73931,73927,73929,73933″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”4″ carousel_interval=”0″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_nav=”yes” carousel_dots=”yes” carousel_dots_inside=”yes” carousel_dot_padding=”2″ stage_padding=”0″ single_overlay_color=”accent” single_overlay_opacity=”15″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″][vc_column_text]Set in Philadelphia, The Watermelon Woman<\/em> is the story of Cheryl (Cheryl Dunye), a twenty-something black lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s black film actress popularly known as “The Watermelon Woman.” The Watermelon Woman is clearly a metaphor for Cheryl’s search for identity, community, and love. It won the Teddy Award for Best Feature at the 1996 Berlin International Film Festival.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]<\/p>\n Cheryl Dunye is a world renowned African American director, writer, and actress. She first emerged as part of the \u201cQueer New Wave\u201d of young filmmakers in the early 1990s. Her first feature film, The Watermelon Woman<\/em>, won the Teddy Award for Best Feature at the 1996 Berlin International Film Festival. The film, now considered a classic, was restored and re-released widely in 2016 for its 20th anniversary, and resides in the permanent cinema collection at the Museum of Modern Art in New York City.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image media=”73936″ media_width_percent=”100″][\/vc_column][vc_column width=”1\/1″][vc_column_text]Her second feature, HBO’s Stranger Inside<\/em>, premiered at the Sundance Film Festival in 2002 and was nominated for four Independent Spirit Awards including Best Director. In 2004, she directed My Baby\u2019s Daddy<\/em> for Miramax, which had a budget of $12M USD. Her more recent independent features The Owls<\/em> (2010) and Mommy Is Coming<\/em> (2012) have both screened at top-tier festivals and garnered her a new generation of fans and followers across the globe.<\/p>\n In recent years, Cheryl has entered a new wave of her career as a director for episodic television, first by joining Ava DuVernay and Oprah Winfrey for two episodes on Season 2 of Own\u2019s Queen Sugar<\/em>. In 2019, she served as the Producing Director of Queen Sugar<\/em> Season 4. Her other Episodic Directing Credits Include An Incredible Array Of Popular Shows \u2014 Claws<\/em> For TNT, The Fosters<\/em> for Freeform, Love Is_ for Own, The Chi <\/em>for Showtime, Star<\/em> for FOX, DEAR WHITE PEOPLE for Netflix, David Makes Man for Own<\/em>, Lovecraft Country<\/em> for HBO, All Rise<\/em> for CBS, among others.<\/p>\n In 2015, Cheryl\u2019s multi-award winning short film Black Is Blue<\/em> was named one of the top five “Must See Feminist Films” by IndieWire. It is now being developed into a feature film with Laverne Cox attached to star in the lead. In 2016, Cheryl was named a recipient of the prestigious Guggenheim Fellowship in the field of Filmmaking.\u00a0That same year she was invited to the Academy of Motion Picture Arts and Sciences (AMPAS). In 2018, it was announced that Cheryl would adapt and direct a feature based on Jason Mott\u2019s novel The Wonder of All Things <\/em>for Lionsgate. In 2019, she launched her Oakland-based production company called JINGLETOWN FILMS, which is actively developing two episodic series \u2014 The Gilda Stories<\/em>, an adaptation of the beloved 1991 queer vampire novel by Jewell Gomez and Adventures in the<\/em> 419<\/em>, based on Nigerian scammers.<\/p>\n She is currently represented by Chris Ridenhour and Jack Leighton at APA.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" [vc_row][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”h1″ separator=”under” separator_color=”yes” sub_reduced=”yes” subheading=”Hommage”][\/vc_custom_heading][vc_gallery el_id=”gallery-149833″ type=”carousel” […]<\/p>\n","protected":false},"author":1,"featured_media":73931,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"portfolio_category":[400],"yoast_head":"\nAbout the Director<\/h3>\n