{"id":73057,"date":"2020-03-09T20:54:33","date_gmt":"2020-03-09T18:54:33","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?post_type=portfolio&p=73057"},"modified":"2020-09-30T13:53:23","modified_gmt":"2020-09-30T11:53:23","slug":"valley-of-souls","status":"publish","type":"portfolio","link":"https:\/\/www.visionaerfilmfestival.com\/2020\/valley-of-souls\/","title":{"rendered":"Valley of Souls"},"content":{"rendered":"

[vc_row][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”h1″ separator=”under” separator_color=”yes” sub_reduced=”yes” subheading=”The river of Colombian souls”][\/vc_custom_heading][vc_gallery el_id=”gallery-149833″ type=”carousel” medias=”73224,73220,73222,73238″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”4″ carousel_interval=”0″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_nav=”yes” carousel_dots=”yes” carousel_dots_inside=”yes” carousel_dot_padding=”2″ stage_padding=”0″ single_overlay_color=”accent” single_overlay_opacity=”15″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″][vc_column_text]<\/p>\n

The first fiction feature by Colombian director Nicol\u00e1s Rinc\u00f3n Gille Tantas Almas<\/em> is a harrowing story about memory ripped and regained at any cost, even with illusion. Jos\u00e9, a Colombian fisherman, returns home after his fishing trip. He calls his three children at roll call, but only the girl answers his calls, upset. The paramilitaries have taken Dionisio and Rafael, the brothers. Overwhelmed by grief, Jos\u00e9, aware of the worst, goes in search of their remains along the river to give them a burial, to give peace to the wandering souls of his children. Winner of the Etoile d’Or at the Marrakech Film Festival, Tantas Almas<\/em> is an epic, tragic, solitary, animistic journey of a man who symbolizes a piece of Colombia and the brutal ethnic cleansing suffered during the Colombian civil war between 1998 and 2002 by a populist paramilitary organization Death and Cleanliness. A song of subdued pain, which has its backbone in the Magdalena River, tomb of corpses abandoned in a water from which it is even forbidden to fish for human remains, whole bodies: penalty of death for those caught in the fault. Tantas Almas<\/em> is embodied by Jos\u00e9 Arley de Jes\u00fas Carvallido Lobo, who carries all the strength, despair and courage of an unequal struggle guided by blind love, chance, solidarity, hatred, terror and resignation. A story through images of high emotional and visual maturity: a silence and a soul that never leaves us. A denunciation of the atrocities of war, of men, of destiny.<\/span><\/p>\n

Maria Cera<\/span><\/p>\n

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About the Director<\/h3>\n

After receiving a bachelor\u2019s degree in Economy in Bogot\u00e1, Nicol\u00e1s Rinc\u00f3n Gille studied in Belgium at the INSAS. He worked as a cinematographer on a few films and directed three short films before embarking on his trilogy project <\/span>Campo Hablado<\/span><\/i> dedicated to the richness of oral tradition in Colombia\u2019s countryside. The first part, <\/span>Those Waiting in the Dark<\/span><\/i> (2007), received the Joris Ivens Award at Cin\u00e9ma du R\u00e9el, followed by the second part, <\/span>The Embrace of the River<\/span><\/i> (2010), which was awarded the Montgolfi\u00e8re d\u2019Or Prize at the Festival des 3 Continents. <\/span>Wounded Night<\/span><\/i> (2015) is the last part of the trilogy, awarded Special Mention from the International Jury at Cin\u00e9ma de R\u00e9el and Best Film in the Colombian Competition at FICCI in 2016. V<\/em>a<\/span>lley of Souls <\/span><\/i>(Tantas Almas) is his first fiction feature.<\/span><\/p>\n

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