{"id":83905,"date":"2021-05-13T16:50:52","date_gmt":"2021-05-13T14:50:52","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?post_type=portfolio&p=83905"},"modified":"2021-05-28T19:38:52","modified_gmt":"2021-05-28T17:38:52","slug":"visionar-en-madrid","status":"publish","type":"portfolio","link":"https:\/\/www.visionaerfilmfestival.com\/es\/visionar-a-madrid\/","title":{"rendered":"Vision\u00e4r A Madrid"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″][vc_custom_heading auto_text=\u00bbyes\u00bb heading_semantic=\u00bbh1″ text_size=\u00bbh1″ separator=\u00bbunder\u00bb separator_color=\u00bbyes\u00bb sub_reduced=\u00bbyes\u00bb subheading=\u00bb3 y 29 de Junio 2021 @Sala Equis a las 19:00 hrs\u00bb][\/vc_custom_heading][vc_button button_color=\u00bbcolor-jevc\u00bb shadow=\u00bbyes\u00bb shadow_weight=\u00bbsm\u00bb border_width=\u00bb0″ css_animation=\u00bbbottom-t-top\u00bb animation_speed=\u00bb200″ link=\u00bburl:https%3A%2F%2Fkinetike.com%3A83%2Fviews%2FsesionesFuturas.aspx%3FidPelicula%3D2191%26cine%3DEQUIS|target:_blank\u00bb icon=\u00bbfa fa-external-link\u00bb]Tickets[\/vc_button][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb2″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column width=\u00bb1\/1″][vc_custom_heading text_size=\u00bbh3″]<\/p>\n

Panteres<\/h3>\n

de \u00c8rika S\u00e1nchez Marcos | Espa\u00f1a | 2020, 22′<\/strong>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb1″ bottom_padding=\u00bb2″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column width=\u00bb1\/2″][vc_gallery el_id=\u00bbgallery-124942″ type=\u00bbcarousel\u00bb medias=\u00bb73797,73799,73801″ carousel_lg=\u00bb1″ carousel_md=\u00bb1″ carousel_sm=\u00bb1″ gutter_size=\u00bb3″ carousel_interval=\u00bb0″ carousel_navspeed=\u00bb400″ carousel_loop=\u00bbyes\u00bb carousel_nav=\u00bbyes\u00bb carousel_dots=\u00bbyes\u00bb carousel_dots_inside=\u00bbyes\u00bb carousel_dot_padding=\u00bb2″ stage_padding=\u00bb0″ single_overlay_opacity=\u00bb50″ single_overlay_anim=\u00bbno\u00bb single_image_anim=\u00bbno\u00bb single_padding=\u00bb2″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]Tienen cicatrices, sobrepeso, est\u00e1n embarazadas, afeitadas o tatuadas. En los vestidores, Joana estudia las condiciones f\u00edsicas de otras mujeres y, m\u00e1s tarde, de s\u00ed misma en el espejo. \u00bfSe puede modular su propio cuerpo? \u00bfSu g\u00e9nero? \u00bfSu feminidad? \u00abBreak Free\u00bb est\u00e1 escrito en su camiseta: es hora de emanciparse.<\/p>\n

Biofilmograf\u00eda
\n<\/strong>Tras una d\u00e9cada trabajando como asistente personal y supervisora de guiones, en 2013 escribi\u00f3 y dirigi\u00f3 el cortometraje documental The Show<\/em>, proyectado en festivales e instituciones internacionales. It’s Never Darker<\/em> (2014) es su primer largometraje documental, bien recibido por el p\u00fablico y la cr\u00edtica. Fundadora de Antivaho Cinematogr\u00e1fico junto a Xavier Esteban, actualmente trabaja en el largometraje documental Perif\u00e8ria<\/em> como productora y guionista. Panteras<\/em> es su primer trabajo de ficci\u00f3n, cortometraje como antesala del largometraje en desarrollo, The Quite Women<\/em>. Con el apoyo del M\u00e1ster en Documental de Creaci\u00f3n de la Universidad Pompeu Fabra, est\u00e1 desarrollando el largometraje documental Dietari Final<\/em> (Dietario final) codirigido con Ariadna Pujol.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb2″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column width=\u00bb1\/1″][vc_separator][vc_custom_heading text_size=\u00bbh3″]<\/p>\n

Butterflies in Berlin<\/b><\/h3>\n

De Monica Manganelli | Italia, Alemania | 2019, 30′<\/strong>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb1″ bottom_padding=\u00bb2″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column width=\u00bb1\/2″][vc_gallery el_id=\u00bbgallery-149833″ type=\u00bbcarousel\u00bb medias=\u00bb73681,73683,73685″ carousel_lg=\u00bb1″ carousel_md=\u00bb1″ carousel_sm=\u00bb1″ gutter_size=\u00bb4″ carousel_interval=\u00bb0″ carousel_navspeed=\u00bb400″ carousel_loop=\u00bbyes\u00bb carousel_nav=\u00bbyes\u00bb carousel_dots=\u00bbyes\u00bb carousel_dots_inside=\u00bbyes\u00bb carousel_dot_padding=\u00bb2″ stage_padding=\u00bb0″ single_overlay_color=\u00bbaccent\u00bb single_overlay_opacity=\u00bb15″ single_overlay_anim=\u00bbno\u00bb single_image_anim=\u00bbno\u00bb single_padding=\u00bb2″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]Alex se traslada a Berl\u00edn en 1932, durante la \u00e9poca de la Rep\u00fablica de Weimar. Buscando su lugar en el mundo y su identidad sexual, se convierte en la primera persona transexual sin cirug\u00eda de la historia. Esto sucede, desgraciadamente, durante el auge del nacionalsocialismo, un trastorno social que convirti\u00f3 la capital de la libertad sexual en el pa\u00eds m\u00e1s reprimido de todos los tiempos.<\/p>\n

Biofilmograf\u00eda
\n<\/strong><\/p>\n

Nacida en Parma (Italia) en 1977, estudi\u00f3 Arquitectura en el Instituto de Arte (Licenciatura en Arquitectura). En 2002 se gradu\u00f3 en la Universidad de Parma con un t\u00edtulo acad\u00e9mico en Conservaci\u00f3n del Patrimonio Cultural (especializaci\u00f3n en Historia del Arte y Arquitectura). Sigui\u00f3 un a\u00f1o m\u00e1s especializ\u00e1ndose con un Postgrado Acad\u00e9mico en \u00abEscenograf\u00eda Teatral\u00bb y un Master en Cad Design e Computer Graphics en Reggio Emilia (2002-2003). En este per\u00edodo comenz\u00f3 a trabajar como escen\u00f3grafa colaboradora y artista conceptual-visual para muchas producciones desde 2001 hasta 2011 en la \u00d3pera L\u00edrica en Italia y Europa entre: Rigoletto, Teatro Marijnski, San Petersburgo, L ‘Impresario delle Smirne, Teatro Stabile Tur\u00edn, Samson et Dalila, Teatro Comunale Bolonia, Opera Royal de Wallonie, Fahrenheit 451, Director Luca Ronconi; Ercole sul Termodonte, Agrippina, Teatro La Fenice Venecia. Monica ha colaborado con el director Davide Livermore en la preparaci\u00f3n de la escenograf\u00eda y el dise\u00f1o visual\/escenogr\u00e1fico de las siguientes obras: Billy Budd (Temporada 2004-05), Aci Galatea e Polifemo (Temporada 2008-09), ldomeneo (Temporada 2010-11), l Vespri Siciliani (Temporada 2011-12 ), producciones del Teatro Regio de Tur\u00edn.<\/p>\n

monicamanganelli.net<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb2″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column width=\u00bb1\/1″][vc_separator][vc_custom_heading text_size=\u00bbh3″]<\/p>\n

Dustin<\/b><\/h3>\n

De Na\u00efla Guiguet | Francia | 2020, 20′<\/strong>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb1″ bottom_padding=\u00bb2″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column width=\u00bb1\/2″][vc_gallery el_id=\u00bbgallery-113733″ type=\u00bbcarousel\u00bb medias=\u00bb83877,83871,83874″ carousel_lg=\u00bb1″ carousel_md=\u00bb1″ carousel_sm=\u00bb1″ gutter_size=\u00bb3″ media_items=\u00bbmedia|lightbox|original\u00bb carousel_interval=\u00bb0″ carousel_navspeed=\u00bb400″ carousel_loop=\u00bbyes\u00bb carousel_nav=\u00bbyes\u00bb carousel_dots=\u00bbyes\u00bb stage_padding=\u00bb0″ single_overlay_opacity=\u00bb50″ single_overlay_anim=\u00bbno\u00bb single_image_anim=\u00bbno\u00bb single_padding=\u00bb2″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]En un almac\u00e9n abandonado, una multitud baila al un\u00edsono con m\u00fasica tecno a 145 BPM. Entre ellos est\u00e1 Dustin, unx joven trans y su grupo: F\u00e9lix, Raya y Juan. A medida que avanza la noche, la histeria colectiva se transforma en dulce melancol\u00eda, y la euforia en anhelo de ternura.<\/p>\n

Biofilmograf\u00eda
\n<\/strong><\/p>\n

Na\u00efla Guiguet se gradu\u00f3 en 2019 del Departamento de Escenograf\u00eda de la Escuela de Cine Femis, donde realiz\u00f3 su cortometraje estudiantil Rough Skin<\/em>. Durante su estancia en la Femis, coescribi\u00f3 con Arnaud Desplechin, Catherine Corsini y Thomas Salvador. Na\u00efla Guiguet es tambi\u00e9n DJ y co-fundadora del colectivo Possession. Este colectivo organiza veladas tecno LGBTQI+. Es durante una de estas veladas donde realiza Dustin<\/em>, su primer cortometraje como profesional.[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″][vc_custom_heading text_font=\u00bbfont-762333″ text_space=\u00bbfontspace-111509″ separator=\u00bbyes\u00bb separator_color=\u00bbyes\u00bb sub_lead=\u00bbyes\u00bb sub_reduced=\u00bbyes\u00bb text_align=\u00bbtext-center\u00bb]<\/p>\n

Con el apoyo de<\/h4>\n

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3 y 29 de Junio 2021 @Sala Equis a las 19:00 hrs<\/p>\n","protected":false},"author":1,"featured_media":83904,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"portfolio_category":[],"yoast_head":"\nVision\u00e4r A Madrid — Vision\u00e4r Film Festival<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vision\u00e4r A Madrid — Vision\u00e4r Film Festival\" \/>\n<meta property=\"og:description\" content=\"3 y 29 de Junio 2021 @Sala Equis a las 19:00 hrs\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.visionaerfilmfestival.com\/es\/visionar-a-madrid\/\" \/>\n<meta property=\"og:site_name\" content=\"Vision\u00e4r Film Festival\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-28T17:38:52+00:00\" \/>\n<meta property=\"og:image\" 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