{"id":74281,"date":"2020-10-06T13:44:22","date_gmt":"2020-10-06T11:44:22","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?p=74281"},"modified":"2020-10-06T13:44:23","modified_gmt":"2020-10-06T11:44:23","slug":"die-gewinnerinnen-des-vff-2020","status":"publish","type":"post","link":"https:\/\/www.visionaerfilmfestival.com\/de\/aktuelles\/the-winners-of-vff-2020\/","title":{"rendered":"Die Gewinner*innen des VFF 2020"},"content":{"rendered":"

[vc_row][vc_column width=“1\/1″][vc_custom_heading auto_text=“yes“ heading_semantic=“h3″ separator=“under“ separator_color=“yes“ sub_lead=“yes“]A Journey From Latin America to Latvia Through the Gaze of New Daring Directors[\/vc_custom_heading][vc_column_text]Jury Award f\u00fcr Bester Film:<\/strong> Enigma<\/em> <\/a>von Ignacio Juricic Merill\u00e1n.
\nEine 50-j\u00e4hrige Friseurin wird gebeten, in einer Fernsehsendung \u00fcber ungel\u00f6ste Verbrechen zu erscheinen. Die Folge soll von ihrer lesbischen Tochter handeln, die 10 Jahre zuvor in den Stra\u00dfen von Santiago de Chile einen gewaltsamen Tod starb. W\u00e4hrend sie \u00fcberlegt, ob sie an der Show teilnehmen soll, setzt sie sich mit ihrer Familie und deren Versionen der Ereignisse auseinander. Sie erf\u00e4hrt mehr \u00fcber die Person, die ihre Tochter war.<\/p>\n

Erkl\u00e4rung der Jury:
\nIn quirligen und beeindruckend komponierten Bildern l\u00e4sst uns Ignacio Juricic Merill\u00e1n am Leben von weiblichen Familienangeh\u00f6rigen teilhaben, die munter durcheinander plaudern, w\u00e4hrend sie sich die Haare stylen. Er nutzt den Friseursalon als B\u00fchne, um ein Familiendrama aus der Vergangenheit ins Licht zu bringen. Dabei flie\u00dfen Alltagsgeplauder und schmerzhafte Erinnerungen m\u00fchelos ineinander. Telenovela-Referenzen dienen als Spiegel und Attraktion f\u00fcr eine Gesellschaft, die immer noch Schwierigkeiten hat, Homosexualit\u00e4t zu akzeptieren. Wir w\u00fcnschen uns, dass diese warme, unbeschwerte und dennoch tiefgehende Herangehensweise ein gro\u00dfes Publikum erreicht und dass der Preis des Vision\u00e4r-Filmfestivals als bester Spielfilm\u00a0Enigma\u00a0auf diesem Weg hilft.<\/em><\/p>\n

Audience Award f\u00fcr Bester Film:<\/strong> Indianara<\/em> <\/a>von Aude Chevalier-Beaumel & Marcelo Barbosa.<\/p>\n

Audience Award f\u00fcr Bester Short Berlin Encounter:<\/strong> Post Mortem berlin<\/em><\/a> von Anton von Heiseler.<\/p>\n

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[vc_row][vc_column width=“1\/1″][vc_custom_heading auto_text=“yes“ heading_semantic=“h3″ separator=“under“ separator_color=“yes“ sub_lead=“yes“]A Journey From Latin America to Latvia Through the Gaze of New Daring Directors[\/vc_custom_heading][vc_column_text]Jury […]<\/p>\n","protected":false},"author":1,"featured_media":74265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[308],"tags":[],"yoast_head":"\nDie Gewinner*innen des VFF 2020 — Vision\u00e4r Filmfestival<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die Gewinner*innen des VFF 2020 — Vision\u00e4r Filmfestival\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=“1\/1″][vc_custom_heading auto_text=“yes“ heading_semantic=“h3″ separator=“under“ separator_color=“yes“ 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