{"id":70487,"date":"2017-03-15T22:22:06","date_gmt":"2017-03-15T22:22:06","guid":{"rendered":"http:\/\/www.visionaerfilmfestival.com\/de\/portfolio\/godless-bezbog\/"},"modified":"2018-10-16T13:46:37","modified_gmt":"2018-10-16T13:46:37","slug":"godless-bezbog","status":"publish","type":"portfolio","link":"https:\/\/www.visionaerfilmfestival.com\/de\/2017\/godless-bezbog\/","title":{"rendered":"Godless | Bezbog"},"content":{"rendered":"

[vc_row][vc_column width=“1\/1″][vc_custom_heading auto_text=“yes“ heading_semantic=“h1″ text_size=“h1″ separator=“under“ separator_color=“yes“ sub_reduced=“yes“][\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=“1\/1″][uncode_slider][vc_row_inner][vc_column_inner width=“1\/1″][vc_single_image media=“114″ media_width_percent=“75″ alignment=“center“][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=“1\/1″][vc_single_image media=“113″ media_width_percent=“75″ alignment=“center“][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=“1\/1″][vc_single_image media=“115″ media_width_percent=“75″ alignment=“center“][\/vc_column_inner][\/vc_row_inner][\/uncode_slider][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“2″ bottom_padding=“1″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″][vc_column width=“2\/3″][vc_column_text]<\/p>\n

An almost totalitarian 4:3 format mercilessly reveals the limbo in which contemporary Bulgaria\u00a0lies: its inability to\u00a0escape a reactivated Soviet bloc, as well as to be reborn democratic and truly free. In Gana\u2019s detachment,\u00a0we see\u00a0the ruthless emotional coldness of Godless\u2019 black heroine, as depicted by Ralitza Petrova.\u00a0She is\u00a0the symbol of a\u00a0social environment which is bleak and sentimentally desolate. The winner of the 2016 Locarno Golden Leopard is a poetic, ruthless and infernal\u00a0vision;\u00a0minimal and deep in the effects it produces. Gana is just one piece of\u00a0an\u00a0evil chain, herself a victim:\u00a0her job as a carer for the old and frail\u00a0is as tough as her two-faced\u00a0personality; robbing their identity cards, which she then sells on to black market scammers. It is a mortal weakness, to feel emotions: Gana will later have to deal with her own misstep, touched by an encounter with music.<\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Cast & Crew<\/h3>\n

Cast:<\/strong>\u00a0Irena Ivanova, Ivan Nalbantov, Ventzislav Konstantinov, Alexandr Triffonov, Dimitar Petkov
\nProducer:\u00a0<\/strong>Rossitsa Valkanova
\nWriter:<\/strong>\u00a0Ralitza Petrova
\nCinematography:<\/strong>\u00a0Krum Rodriguez b.a.c., Chayse Irvin c.s.c.
\nProduction Designer:\u00a0<\/strong>Vanina Geleva
\nSound Designer:\u00a0<\/strong>Peter Albrechtsen\u00a0
\n<\/strong>Editor:\u00a0<\/strong>Donka Ivanova<\/p>\n

Festivals & Awards<\/strong>
\n– Locarno Film Festival.Golden Leopard<\/strong>
\n– Toronto International Film Festival
\n– AFI Fest
\n– Sarajevo Film Festival.\u00a0Special Jury Prize<\/strong>
\n– Golden Rose National Film Festival in Varna.\u00a0Golden Rose Award<\/strong>
\n– Warsaw Film Festival. FIPRESCI Best Debut from Eastern Europe Award<\/strong>[\/vc_column_text][\/vc_column][vc_column width=“1\/3″][vc_column_text]Director <\/span>Ralitza Petrova<\/span>
\n<\/span><\/span>Country\u00a0<\/span>Bulgaria, Denmark, France
\n<\/span><\/span>Year\u00a0<\/span>2016
\n<\/span><\/span>Length\u00a0<\/span>99 min
\n<\/span><\/span>Language <\/span>Bulgarian with English subtitles<\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“2″ bottom_padding=“1″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ css=“.vc_custom_1521141717253{padding-right: 5px !important;padding-left: 5px !important;}“][vc_column width=“2\/3″][vc_column_text]Born in Bulgaria, Ralitza lives and works between England, Bulgaria, and France.<\/p>\n

In early life, she studied Fine Art, and later Fiction Directing at the UK\u2019s National Film and Television School. Her films have won acclaim at film festivals such as Cannes, Berlin, and Toronto, as well as on numerous art platforms, including the Centre Pompidou, Paris. She was previously awarded the Prix UIP, Best European Short Film at Berlinale, and nominated for an EFA. Her film\u00a0By the Grace of God<\/strong>, which premiered at Cannes Film Festival, is currently on DVD at the British Film Institute and Tate Modern. Her debut\u00a0Godless\u00a0has been awarded production prizes at TorinoFilmLab\u2019s FrameWork 2013, Sarajevo Film Festival\u2019s CineLink 2015 and the \u201cWomen in Film Finishing Fund\u201d, Los Angeles.<\/p>\n

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