{"id":84996,"date":"2021-10-20T19:55:16","date_gmt":"2021-10-20T17:55:16","guid":{"rendered":"https:\/\/www.visionaerfilmfestival.com\/?page_id=84996"},"modified":"2024-03-13T21:52:39","modified_gmt":"2024-03-13T19:52:39","slug":"panel","status":"publish","type":"page","link":"https:\/\/www.visionaerfilmfestival.com\/de\/2021\/panel\/","title":{"rendered":"Panel"},"content":{"rendered":"

[vc_row unlock_row_content=“yes“ row_height_percent=“0″ override_padding=“yes“ h_padding=“0″ top_padding=“0″ bottom_padding=“0″ overlay_alpha=“100″ gutter_size=“3″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ sticky=“yes“ uncode_shortcode_id=“324511″][vc_column column_width_percent=“100″ position_vertical=“middle“ align_horizontal=“align_right“ gutter_size=“3″ override_padding=“yes“ column_padding=“0″ back_color=“color-lxmt“ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ css_animation=“left-t-right“ animation_delay=“1000″ width=“1\/1″ uncode_shortcode_id=“148148″ back_color_type=“uncode-palette“ css=“.vc_custom_1634409220285{padding-top: 1em !important;padding-right: 1.5em !important;padding-bottom: 1em !important;}“][vc_wp_custommenu nav_menu=“498″ nav_menu_horizontal=“1″ use_widget_style=“yes“ widget_style_title_typography=“inherit“ widget_style_no_arrows=“yes“][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ overlay_alpha=“50″ gutter_size=“3″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ uncode_shortcode_id=“118036″][vc_column width=“1\/1″][vc_custom_heading auto_text=“yes“ text_color=“color-jevc“ text_size=“h3″ separator=“yes“ separator_color=“yes“ href=“„https:\/\/acudkino.de\/BaldImProgramm„“ target=“„_blank„“]Panel[\/vc_custom_heading][vc_column_text uncode_shortcode_id=“724239″]Die Worte des Monsters. Futuristische Imagination im Kino gegen das Kolonialregime.<\/strong><\/p>\n

Ein kurzer Blick auf das Kino seit seinen Anf\u00e4ngen zeigt, wie entscheidend es f\u00fcr die Gestaltung des imagin\u00e4ren Verh\u00e4ltnisses zwischen dem globalen Norden und S\u00fcden, zwischen M\u00e4nnern und Frauen, Schwarz und Wei\u00df, Vergangenheit und Zukunft, zwischen uns und den anderen war. Es wurde vergessen, dass das Kino eines der grundlegenden Werkzeuge des kolonialen Regimes war, es wurde zum idealen Instrument, um nicht-normative Menschen \u2013 wie uns \u2013 unsere Menschlichkeit vergessen zu lassen und es machte uns zu Monstern. Von diesem Ort aus, an welchen uns die Kolonialgeschichte bestimmt hat, begannen wir, die Monster, zu sprechen und seit kurzem auch geh\u00f6rt zu werden. Aber wie spricht ein Monster? Welche Sprache verwenden wir Monster, um uns untereinander zu verst\u00e4ndigen? Wie verstehen und erleben wir Zeit und Raum in unseren Erz\u00e4hlungen? Welche Vorstellungen entwickeln wir, um die Welt mit W\u00fcrde zu bewohnen, selbst als Monster? Wie \u00fcberleben die Worte des Monsters die verschlingende Natur des kolonialen Kapitalismus? In diesem Gespr\u00e4ch werden wir stolz \u00fcber und aus dieser Monstrosit\u00e4t heraus sprechen, ausgehend von den futuristischen Ideen und \u00e4sthetischen Aktionen von Jos\u00e9 Esteban Mu\u00f1oz, Octavia Butler, Sarah Maldoror, Johan Mijail, Iki Yos, Sally Fenaux Barleycorn, Djibril Diop Memb\u00e9ty, Gloria Anzald\u00faa, Sara G\u00f3mez und anderen.<\/p>\n

Mit Dami Sainz Edwards<\/h6>\n

 <\/p>\n

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  • \n
      \n
    • Wann: <\/b>14. November 2021, 14:30 Uhr<\/li>\n
    • Wo: <\/b>ACUDkino, Veteranenstra\u00dfe 21, 10119 Berlin, Kino 1<\/li>\n
    • Freier Eintritt. <\/strong>First come, first served.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

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